So here’s the latest in my extended vine style jams with the mentality of “this is pretty cool I’ll film it”. Got really lost in this one and a lot more to it than some of the simpler jam videos. 4 fully independent voices create some chords. Full patch notes below (best I can remember and from notes, to add that white noise was mixed in a few places too)
PATCH NOTES –
Voice 1 is Livewire AFG square sub, triangle and animated saw going into STG .mix then into Livewire Frequensteiner filter in low pass mode before going into a final STG .mix as an output mixer.
Voice 2 is Synthesis Tech E350 going into Doepfer A-189 Bit Modifier into a Synthrotek EKO then into Mutable Instruments Ripples then mixer.
Voice 3 is Mutable Instruments Braids Intro Malekko Borg 2 filter mixed with white noise into Doepfer A-199 Spring Reverb into output mixer.
Sequence is from the 4ms SCM and breakout clocking the Make Noise Brains and Pressure Points sending top row of pitch to ADDAC 207 Quantizer. The top row of Pressure Points is quantised and sent to the Livewire AFG. The second quantizer out is set to an interval of a third and passed onto the E350. Channel 3 on the quantizer takes input from Pressure Points middle and bottom row going into a switch to create a 16 step sequence. This then goes into the Braids.
Turing Machine is clocked to x8 the clock pulse and sends the random sequence out to a Malekko 8nu8r attenuator before going to the E350 y Morphing. The Turing Machine sequence is also multed through a stackable into the Ripples filter cut off modulation. The Turing Machine Voltages expander sends it’s sequence to the Livewire Frequensteiner filter.
A Bubblesound uLFO sends modulation to AFG animated saws and E350 Morph X. Aswell as a Frequency Central Ultra Wave distort input to bend the Ultra Wave waveform output. It also send FM into a Intellijel Dixie in LFO mode.
Frequency Central Ultra wave is clocked from the 4ms SCM and is modulating a uLFO shaped sine output which goes to the E350 and also modulates another animated waveform modulation point of the AFG.
An Intellijel Dixie sends zig zag waveform modulation to the Braids Timbre and is FM’d from the uLFO. Braids also receives sine wave modulation of the colour through an attenuator from a second Dixie oscillator.
The second Dixie oscillator sends voltage influence to a Pittsburgh Modular viLFO which sends it’s triangle output to the A-189 sample rate reduction. The viLFO also sends it’s triangle/square shaped output to the EKO rate.
Manual wiggling was of all the filters cut offs, spring reverb mix amount, and attenuators for modulation depth.
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